|
|
|
|
|
decompreSSssssing signals to square delight lower lower and lower bellow noctave down dowwwn dowwwwwn from one two three octaves. Octaves four five six make pulsing faster-higher lower-slower frequency-dependant tremolo...
|
|
|
|
|
|
|
|
|
|
|
|
From pure to furious n'Octave fuzz loco will scream and destroy with tones ultra high and low in chaos vs. control, notes decae into random zero-point noise-of-the-airwaves octave'd into the audible
|
|
|
|
|
|
|
|
|
|
|
|
Nocto Loco squares the input signal
and shifts the signal (unity) one, two, and three octaves down.
Octaves four, five or six down can be mixed in causing a trembling, pulsing effect which varies speed based on the initial frequency....
faster pulses for higher notes and slower for lower notes.
Unity switch brings the "base" octave signal into the mix,
creating possible chorus of three sounds (first square, octave down, and pulse).
|
|
|
|
|
|
|
|
|
|
|
|
Loco stomp switch unleashes chaotic sounds by frequency-shifting normally inaudible noise into the audible range.
Sheering swoosh on note decays, buzzing jumping octave hopping, fizzle sizzle radio-wave-tuning-audible noise from the bowels of atomic oscillations — it's always there, and the nocto makes it heard —(if you feel your sanity slipping, stomp back into sane mode for pure octaves down and pulse effects)
|
|
|
|
|
|
|
|
|
|
|
|
True-bypassed with LED indicator, green for normal mode, red for Loco mode. 3PDT stomp. 9VDC barrel plug.
Die-cast 4"x4"x2" aluminum box.
|
|
|
|
|
|
|
|
|
|
|
|
Controls:
- Octave: select 1/2/3 octaves down
- Unity: switch in your pre-octave-shifted signal for more definition
- Pulse speed: select 4/5/6 octaves down, for frequency-dependant
- pulsing tremolo effect
- Pulse: dial in the amount of pulse/tremolo effect
- Volume: output level
- Loco: stomp into noise insanity, shifting noise oscillations to the audible range
|
|
|
|
|
|
|
|
|
|
|
|
Control everything at once...
- Level knobs for Unity
- Level knobs for each Octave down 1, 2 and 3
- Level knobs for each Pulse Fast, Med and Slow
|
|
|
|
|
|
|